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    Membership in the Community Music School orchestras and ensembles is by audition for both returning and new students. Auditions are by appointment only.

    Read all information carefully before completing BOTH sides of the application and return the application to the Community Music School of Webster University by the specified deadline.

    ALL APPLICANTS will receive an audition time after the completed application is received.

    Audition Requirements

    For all orchestras/ensembles, an unaccompanied solo of the student’s choice is required. The solo should be recital-ready and represent the student’s technical and musical ability. The solo does not need to be memorized.

    Scales, sight-reading and excerpts are also part of the audition. For scale requirements, see the descriptions of specific orchestras/ensembles.

    Note that you will not know which scale will be requested, so be sure to prepare all scales listed.

    Excerpts will be mailed on August 3, 2009 for Young People's Symphonic Orchestra and Young People's Concert Orchestra, and on August 21, 2009 for String Orchestra and String Ensemble.

    Placement in the ensembles is based solely on the audition performance. Judges comments are confidential. The decisions of the judges will be final.

    Suggested Audition Repertoire
    (YPSO, YPCO and Percussion Ensemble)

    YPSO Scale Requirements All major and minor scales through 4 sharps and 4 flats, minimum of 2 octaves, 4 notes per bow; chromatic scale
    YPCO Scale Requirements All major and minor scales through 3 sharps and 3 flats, minimum of 2 octaves, 4 notes per bow; chromatic scale

    YPSO/YPCO/Percussion Ensemble Suggested Solo Guidelines

    The following repertoire list indicates the minimum playing level generally reached by students in the Percussion Ensemble and Young People's Concert and Symphonic Orchestras.  These are guides for applicants and their teachers, indicating the orchestras' and ensemble's range in technical level and repertoire.  There are many other works not listed that are appropriate for auditioning.

    Instrument Concertos Pieces
    Violin Accolay – No. 1, J.S. Bach – a minor, No. 2 in E Major, Mozart – No. 3, No. 4, No. 5 G.F. Handel – Sonatas
    Viola Telemann – G Major, Hoffmeister, J. C. Bach – Concerto in c minor J.S. Bach – Suites
    Cello Breval J.S. Bach – Sonatas, Marcello – Sonata in g minor, Faure – Elegie,

    Saint-Saëns – Allegro Appassionato, Eccles – Sonata

    Bass Capuzzi, Dragonetti, Bottesini Marcello – Sonatas
    Flute Mozart, Quantz – G Major, Chaminade – D Major, Telemann – f minor,

    Marcello – c minor or d minor, Haydn – C Major

    G.F. Handel – Sonatas
    Oboe Cimaroso – c minor, Marcello – d minor, Vivaldi – d minor Handel – Sonatas
    Clarinet Weber, Mozart, Stamitz Weber – Concertino, Jeanjean – Arabesques, Finzi – Five Bagatelles (Mvts. I, II, IV, or V – pick two)
    Bassoon Hummel – Bassoon Concerto, Mozart – Bassoon Concerto, Handel – g minor Weber – Hungarian Rhapsody
    Horn Strauss – No. 1; Mozart – Horn Concertos Mendelssohn – Romance sans paroles
    Trumpet Haydn, Hummel, Aruturian Arnell – Trumpet Allegro, Hartley – Sonatina, Hindemith – Sonata
    Instrument Sonatas Pieces
    Trombone Marcello, Hindemith, Vivaldi, Bach – Cello Sonatas Arnold – Fantasie Op. 101, Rochut – Melodious Etudes
    Instrument Pieces
    Tuba Buchtel – Ballad for Tuba, Huddad – Suite for the Tuba, Desmond – “The Sea Song”, Hartley – Sonatina
    Instrument Guidelines
    Percussion/
    Timpani

    Be prepared to play as many instruments as possible using your current repertoire.  The following is a list of suggested repertoire, however, you may play other appropriate material you have prepared.

    Snare Drum:  Any of the Cirone Portraits in Rhythm or Whaley Audition Etudes

    Mallet/Keyboard:  All Major scales and arpeggios.  Any 2- or 4-mallet solo, including those on the MSHSAA Solo and Ensemble list.

    Timpani:  Saul Goodman Etudes and excerpts or Whaley Audition Etudes

    In whatever material is performed, students will be selected based on musicality, technique and competence within a concert percussion setting.

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