Program Descriptions

Audio Production Course Listings

AUDI 1000 Audio Production I (3)

Students learn the basics of audio recording, tape editing, sound mixing, selection and mixing of music, and special effects of audio production. Students are expected to work independently in the audio studio. Prerequisites: MEDC 1010 and EPMD 1000 OR permission of instructor.

AUDI 1200 Introduction to MIDI (3)

Students learn the basic principles of the interfacing of musical instruments, computers, and recording studio technology. The course focuses on MIDI message structure and basic MIDI applications, including sequencing, mixing, and effects processing.

AUDI 2000 Audio Production II (3)

Continues and expands the concepts and techniques presented in Audio Production I. Students learn advanced stereo audio production, both in the studio and on location. Prerequisite: AUDI 1000.

AUDI 2100 Radio Production (3)

Students learn the theoretical and practical elements of radio production and radio station operation. Topics include basic announcing, interviewing, tape editing, news reading, and production of public service announcements and commercials. Technical skills include operation of broadcast console, audio tape recorder, cartridge recorder, record turntable, and compact disc player. Students are expected to work independently in the radio studio. Prerequisite: AUDI 1000 or permission of the instructor.

AUDI 3000 Multitrack Recording (3)

Students learn multitrack audio-recording strategies and techniques. Topics include: studio session procedures, theory and operation of multitrack tape recorder and audio console, and multitrack recording techniques for speech and music. Prerequisite: AUDI 2000.

AUDI 3150 Topics (3)

Offered periodically to deal with topics in audio not covered by regularly offered courses. May be repeated for credit if content differs. Prerequisite may vary with topic.

AUDI 3200 Audio Studio Maintenance (3)

Students learn basic electronics and the use of electronic test equipment for the diagnosis and repair of professional audio equipment. Students learn to trace problems as well as read schematics and flow charts. Students will be expected to become familiar with the following audio concepts and applications: distortion, phase, equalization, white noise, VU meters, DB meters, and signal flow in a chain of audio equipment. Prerequisite: AUDI 2000.

AUDI 3300 Sound System Operation and Design (3)

Students learn the principles and applications of sound system design and operation. Topics include: basic acoustics, loud-speaker coverage and alignment, power amplifiers, system interconnection, troubleshooting, and operation of sound rein-forcement systems. The class examines both permanent and portable systems. Students apply sound system design theory by mixing the "house sound" for specific events on campus. Prerequisite: AUDI 2000.

AUDI 3400 Location Recording (3)

Students learn to record a wide variety of concerts outside the recording studio: on campus, including faculty and student performances of jazz, classical music, and opera. Students work individually and in teams. May be repeated for credit as content varies. Prerequisite: AUDI 3000.

AUDI 3500 Digital Audio (3)

Students learn strategies and techniques for audio production on computer platforms, including advanced editing and basic automation. Prerequisite: AUDI 3000 or permission of instructor.

AUDI 3600 MIDI Applications: Sequencing (3)

Students learn the use of the computer in composing and performing music. Emphasizes understanding of MIDI, orches-tration of synthesizer sounds, event list editing, and use of outboard effects. Includes some composition. Prerequisite: AUDI 1200 or permission of the instructor.

AUDI 3700 Jingles (3)

With a focus on the achievement of a common goal through collaboration between different media, audio, advertising and marketing communications, public relations, and composition students learn to put together a hands-on and ears open ex amination of creating, recording, and mixing music for PR and advertising/marketing communications campaigns for radio and TV. Students learn the importance of a strong soundtrack, synchronization issues, and language differences between disciplines. Cross-listed with advertising/marketing communications, public relations, and music with an emphasis in composition. Prerequisite: AUDI 3000 for audio production majors, none for other majors.

AUDI 3800 Professional Level Audio Production (3)

Students learn advanced studio procedures, creative sonic presentation, and how to work with clients in a professional environment. Prerequisite: AUDI 3000.

AUDI 3900 Audio Aesthetics (3)

Students learn recording techniques and production philosophies to determine what is "great sound" and what are the elements of a "hit" record. A survey of recordings, both past and present, is used to help students define creative goals and to develop more critical listening and production skills. Prerequisite: AUDI 2000.

AUDI 4000 Music Recording (3)

Students learn the strategies and techniques used for recording various types of music. Topics include planning a music recording session; the role of the recording engineer; microphone techniques; and recording and mixing. Recordings are in the studio and on location, using both the multitrack and two-track recorders. Some class projects require meeting on Monday and Tuesday evenings. Prerequisite: AUDI 3000.

AUDI 4100 Advanced Audio Mixing (3)

Students learn the strategies and techniques used for mixing various types of music and learn which elements comprise the mix, both from the standpoint of well-recorded tracks and fixing errors made in other parts of the recording process. Prerequisite: AUDI 3000.

AUDI 4300 Advanced MIDI Applications: Film Scoring (3)

Students learn the technique of composing music for film and video. Includes discussion of synchronization, MIDI applications, postscoring, and film music aesthetics. Prerequisite: AUDI 3600 or permission of the instructor.

AUDI 4400 Recording Studio Management and Operations (3)

Students learn the inner workings of a recording studio business. Topics include booking time, establishing rates, hiring and firing, billing, equipment procurement, and relationships between owners, management, staff, maintenance, and engineers. Prerequisite: AUDI 2000.

AUDI 4500 Soundtracks for Visual Media (3)

Students learn advanced audio techniques as they relate to video and film production. Focuses on uses of sound in video and film production, and audio mixing for visual media. Students work with advanced video/film students on projects. Prerequisite: AUDI 3000.

AUDI 4600 Radio Production Workshop (4)

The center of the radio production curriculum, students learn to implement the ideas and techniques learned in AUDI 2100 through the daily operation of the University's radio station. Familiarity with Macintosh is expected. Prerequisites: AUDI 2100 and permission of the instructor. May be repeated for credit.

AUDI 4610 Readings in Audio Production (3)

Prerequisites: media major, junior/senior standing and permission of the instructor. May be repeated for credit if content differs.

AUDI 4620 Senior Overview (3-6)

Provides an opportunity for seniors to demonstrate their proficiency in audio production. The student assumes responsibility for the production of a project under the direction of a faculty member. Prerequisites: senior standing, acceptance into the major through portfolio review, and permission of the instructor.

AUDI 4700 Professional Development in Audio Production (3)

Students learn to prepare for careers in the field of audio. Topics include portfolio development and presentation; professional organizations; interviewing skills; and résumé preparation. Prerequisites: audio production major AND senior standing.

AUDI 4800 Audio Engineering (3)

Students apply their knowledge of audio in a variety of recording settings. Students assume responsibility for the admini-stration of the recording studio, including the maintenance, scheduling, and operation of the audio facility. Prerequisites: AUDI 3000 AND permission of instructor. May be repeated for credit.

AUDI 4900 Pro-Seminar in Music Recording (3)

Each student acts as a "second engineer," working with a nationally recognized recording engineer during the recording and mixing of a music album for commercial release. Each student assists in the recording, mixing, and editing of a master tape, which may take place on location or in the University's recording studio. The style of music to be recorded and the recording artists vary. The seminar consists of two stages: planning/recording and mixdown/mastering. May be repeated once for credit. Prerequisites: AUDI 4000 AND permission of the instructor.

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Electronic and Photographic Media Course Listing

EPMD 1000 Introduction to Media Production (3)

Beginning students of all communications disciplines learn a certain level of media production literacy.   EPMD 1000 incorporates a combination of applied media aesthetics, theory and hands-on production experience in photography, filmmaking, audio and video production.   As a core class, EPMD 1000 is a preparation for subsequent theory and production courses in the School of Communications.  

EPMD 2000 Introductory Topics in Media Production (1-3)

Specific introductory topics in media production are offered on a rotating basis.   Prerequisites may vary with topic.   May be repeated for credit if content differs.

EPMD 3000 Intermediate Topics in Media Production (1-3)

Specific intermediate topics in media production are offered on a rotating basis.   Prerequisites may vary with topic.   May be repeated for credit, if content differs.

EPMD 4000 Advanced Topics in Media Production (1-3)

Specific advanced topics in media production are offered on a rotating basis.   Prerequisites may vary with topic.   May be repeated for credit, if content differs.

 

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Film Course Listings

FLST 1800 Film Appreciation (3)

Students learn the aesthetic and technological elements in motion pictures. The course traces artistic trends and critical theories and focuses on visual imagery, sound, story, acting, and directing to develop a critical framework for appreciating the artistic aspects of film.

FLST 2050 History of Film (4)

Students learn the basics of the film medium and its development as an art form. Students view films weekly, discuss them in their historical settings, analyze them for directorial style, and evaluate them as forms of art and entertainment.

FLST   2060 Modern World Cinema (4)

Students learn the current trends, styles, and significant development in the field of cinema. Prerequisite: FILM 2050.

FLST 2070 History of Animation (3)

Students learn the aesthetics and technical elements of animation as well as its development into a popular form of art and entertainment. This class reviews the work of a wide range of animation companies.

FLST 3160 Topics in Film Studies (3)

This course deals with topics related to film theory and criticism.   Classes may focus on genre, individual artists, specific   studios, historical eras, and film in other cultures.   Prerequisite:   FLST 1800 OR FLST 2060.   May be repeated for credit, if content differs.

FLST 3170 Topics in Documentary Film Studies (3)

This course deals with topics related to film theory and criticism pertaining to documentary films.   Classes may focus on genre, individual artists, specific studio or historical eras, and film in other cultures.   Prerequisite:   FLST 1800 OR FLST 2060 OR permission of instructor.   May be repeated for credit, if content differs.  

FLST 4160 Survey of Film Theory and Criticism (3)

Students learn the major critical approaches to the study of film, including the auteur theory, structuralism and semiotics, genre criticism, and political and sociological film criticism. Students examine these critical approaches and apply these concepts through analysis of films.   Prerequisite:   FLST 1800 OR FLST 2050.

FLST 4610 Readings in Film (3)

Prerequisites:   Media major, junior/senior standing and permission of instructor. May be repeated for credit, if content differs.

FLST 4620 Senior Overview (3-6)

Provides an opportunity for seniors to demonstrate their proficiency in a selected area of film history/criticism.   The student assumes responsibility for the production of a thesis under the direction of a faculty member.   Prerequisites:   senior standing, acceptance of the student's petition to proceed to Senior Overview, AND permission of instructor.

Film Production Course Listings

FILM 2320 Filmmaking I (3)

Students learn the basics of filmmaking. Class sessions and assigned readings cover the entire filmmaking process. Students plan, shoot, and edit short black-and-white silent films. Lighting and exposure control and their relation to aesthetic qualities are emphasized. Prerequisites: PHOT 1000, FLST 1800, AND VIDE 1810.

FILM 2500 Art Direction for Film and Video (3)

Students learn the basic techniques and problem-solving methods of designing for both motion pictures and television and the role the art director plays in each. A wide range of the field is explored, from feature films to television commercials. Field trips to several local production companies are arranged. Prerequisite:   EPMD 1000.

FILM 3150 Topics in Film Production (3)

These courses are offered periodically to feature topics in film production not covered by regularly offered courses. May be repeated for credit if content differs. Prerequisites vary with topic.

FILM 3210 Animation Principles and Techniques I (3)

Students learn the elements of film animation, with emphasis on the process, techniques, and styles employed in creating the illusion of movement, character, and life on film. Students combine the study of animation theory with production experience. Prerequisite: EPMD 1000.

FILM 3250 Animation Principles and Techniques II (3)

Students learn the full animation production of   film. Classes combine lectures and hands-on experiences. Students prepare and time soundtracks, then animate to the sound. An understanding of basic animation principles and techniques is required. Prerequisite: FILM 3210.

FILM 3730 Film II: Production (3)

In this continuation of FILM 2320, students learn the fundamental principles of filmmaking to synchronous sound shooting and color cinematography. Students direct and use cinematic techniques for storytelling. The film is taken through production. Students should be aware of the monetary cost of this course and the large time commitment required. Grades are based on individual film work. (Post-production of the students' films is done in the FILM 3750 course.) Prerequisite: FILM 2320.

FILM 3750 Film II: Post-Production (3)

This course is a continuation of FILM 3730. Students learn to complete their Film II Production film in the post-production stage. In this course students apply the fundamental principles of 16-mm synchronous filmmaking from the "raw footage" stage through post-production. (Students use their shot footage from FILM 3730.) Emphasis is placed on cinematic techniques for storytelling including picture editing, sound design, and completion formats. In addition to completing a short film, students learn about festivals and distribution. Grades are based on individual films. Prerequisite: FILM 3730.

FILM 3900 Lighting for Film and Video (3)

Students learn the intermediate and advanced lighting techniques and the aesthetic foundations of those techniques used in photography, video, and filmmaking. Students also learn to identify the motivation behind specific lighting decisions, as well as the application of lighting techniques. Prerequisite: PHOT 1000, VIDE 1810, OR THEA 2020.

FILM 4550 Film Directing (3)

Students learn the elements of directing applicable to dramatic films. Areas addressed include script analysis, choice of shots, character development, working with actors, working with production designers and cinematographers, techniques for efficient, creative work on the set, and working with editors in post-production. Students direct short, dramatic films, working with students in FILM 4560 Advanced Cinematography.   Prerequisite: FILM 3750 OR permission of instructor.

FILM 4560 Advanced Cinematography (3)

This course provides in-depth study of cinematography, including lighting for mood and special effects, lighting in special situations, use of camera filters, exposure calculations for special situations (i.e., close-up cinematography), and use of various film stocks. Students learn the use of these and other techniques in the art of cinematography. Issues involving working with directors, production designers, and gaffers are also addressed. The class meets concurrently with FILM 4550 Film Directing, and cinematography students work with directing students to make short, dramatic films. Prerequisites: FILM 3900, FILM 3750 AND permission of instructor.

FILM 4570 Producing for Film (3)

Students learn the role of the producer in film, from original concept to the marketplace. Topics include treatments, budgeting, research and development, funding options, production teams, the stages of production, and distribution. As a final project, students develop and submit proposals for feature films. Prerequisite: FILM 3750.

FILM 4600 Overview Pre-Production (3)

Students learn production skills needed to shoot their overview films. With feedback from students and the instructor, each student develops a short film script. Once the script is finalized, students work on pre-production for their films and put together a pre-production book. Students are required to write a film proposal and produce a demo reel. During the last weeks of class, students request a Petition to Proceed for Overview by presenting their project idea to a film faculty panel. Prerequisites: senior standing, FILM 3750, OR   permission of instructor.

FILM 4620 Senior Overview (3-6)

Provides an opportunity for seniors to demonstrate their proficiency in a selected area of film production or film his-tory/criticism. The student assumes responsibility for the production of a project under the direction of a faculty member. Projects may include a film production or a thesis. Prerequisites: senior standing, FILM 4600 AND acceptance of the student's petition to proceed to Senior Overview, AND permission of the instructor.

FILM 4900 Pro-Seminar in Film Production (2-4)

Provides students with professional production experience. With a faculty member acting as executive producer and/or producer/director, students produce materials for distribution purposes. Prerequisites: FILM 3730 AND FILM 3750 OR permission of the instructor. May be repeated for credit if content differs.

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Interactive Digital Media Course Listings

INTM 1600 Introduction to Interactive Digital Media (3)

A practical introduction to interactive media. Students learn the concept, information and interactive design, production strategies, technical aspects of production and publication, and practical applications of interactive media in educational, commercial, and public environments. Students create formal design documents that include flowcharts, treatments, scripts, and storyboards. Prerequisite: MEDC 1050 OR JOUR 1030.

INTM 2200 Visual Design for Interactive Digital Media (3)

Students apply interactive design to the visual presentation of information. Effective use of color, creating intuitive visual cues for response and decision-making points, and engaging display of information are studied. Photoshop and related applications are used as tools in graphic interface design for interactive media in a variety of interactive contexts. Prerequisite: INTM 1600 OR permission of the instructor.

INTM 2350 Production Tools for Advertising
and Public Relations (3)

Students will learn the basic tools and skills of Adobe Photoshop, Adobe Illustrator and Adobe InDesign; learn how to create a client presentation using Microsoft Power Point, and learn introductory Web development skills using Adobe ImageReady and Macromedia Dreamweaver.   All class activities will focus on these software tools and the production skills required to perform everyday tasks as Advertising and Public Relations practitioners.

INTM 2800 Storyboard Techniques for Visual Media (3)

Students practice composing and rendering images for storyboards for use in film and digital media, including video and animation production. Students learn scene perspective, figure proportions, and dramatic character poses as a means to enhance communicating their story. Students study the works of classic draftsmen - from Rembrandt to Disney - to improve their storyboard techniques.

INTM 3000 Writing for Interactive Digital Media (3)

Students learn the application of traditional media writing and narrative scripting to interactive contexts. Also, students learn how to write scripts for interactive narrative stories with emphasis on interactive design related to story branching and decision points. Students develop more sophisticated approaches to information design and interactive design through the writing course. Prerequisites: INTM 1600 AND SCPT 3500 or permission of instructor.

INTM 3100 Programming for Web Communications (3)

Students learn the application of interactive media to the Internet. The course addresses concepts and strategies for integrating interactive function and design in the World Wide Web context. Students learn how to organize information and design the interactive function of a Web-based delivery system. The projects in this class are publications of Web sites that have interpreted and applied interactive design and function in their Web site. Prerequisites: INTM 1600 AND INTM 2200 OR permission of the instructor.

INTM 3150 Special Topics (3)

This course addresses current and significant issues in interactive media and interactive communications. The course focuses on existing theories and practices, with emphasis on new and emerging topics and technologies in this field. The course topics could include 1) Computer-Based Training; 2) Games and Entertainment; 3) Journalism on the Internet; and 4) Interactive Narrative Writing. Prerequisites will vary with topic.

INTM 3280 Storyboarding for Animation (3)

The expression of stories, scene blocking, visual character development, and an overall aesthetic to the animation are covered in this class. Students learn the unique art of creating detailed storyboards for animation, including their importance in collaborating with the director, computer animators, sound designers, and talent in producing a successful animation.

INTM 3300 Programming for Interactive Media (3)

Multimedia programming platforms are examined and evaluated for a variety of interactive environments. This course gives students a strong understanding of the authoring program Macromedia Director and provides them with the tools needed to create interactive media projects. Students learn the basics of Lingo, the scripting language of Director. Prerequisite: INTM 2200 OR permission of the instructor.

INTM 3500 Audio and Video for Interactive Media (3)

Students learn how to develop and produce the audio and video components for a variety of interactive programs, how to design media intended for delivery in an interactive medium or environment, and how to use basic media editing programs SoundEdit 16 and Abode Premiere software. Students also explore different compression techniques and study a variety of delivery systems and environments. Prerequisites: VIDE 1810 AND AUDI 1000.

INTM 3550 2-D Animation (3)

Students learn advanced skills in presentation of information in interactive contexts, including the use of 2-D animation, 3-D animation, and more advanced media display. Students learn the software programs Abode After Effects, (selected 3-D program), and Flash. Prerequisite: INTM 2200 OR permission of the instructor.

INTM 3560 3-D Animation (3)

Students learn advanced skills in presentation of information in interactive contexts, incorporating the use of 3-D animation and more advanced media display. Students learn the software program LightWave 3-D and how to integrate 3-D animation into interactive storytelling contexts. Prerequisites: VIDE 1810 AND INTM 2200 or permission of the instructor. May be repeated if content varies.

INTM 3580 Delivering Digital Media (3)

Students learn how to prepare digital media programs for delivery on the Internet, CD-ROM, and DVD. This course ad-dresses technical issues, such as compression and basic programming, as well as content issues, such as program design and length. This course can be a valuable elective for video, film, and interactive digital media students interested in "screening" their work on the Web.

INTM 3700 Story Development for Animation (3)

Students create both short form and long form stories designed for animation. Understanding story development, expres-sion of story into storyboards, and the successful collaboration among the variety of disciplines to create an engaging animation are important elements of this class.

INTM 3750 Interactive Reporting and Producing (3)

The focus of this course is the growing reliance of the broadcast outlets (radio, broadcast television, cable) on the World Wide Web as a secondary distribution for news. Students learn the information design and strategies associated with dis-tributing news in the interactive and multimedia environment of the Web. This class is conducted in a collaborative and workshop environment, with students producing news reporting Web sites. Prerequisites: JOUR 1030, AND INTM 3100 OR COAP 2000.

INTM 3850 Interactive Marketing Communications (3)

This course addresses marketing communications in a variety of interactive contexts, from the World Wide Web to public environments. Students learn information and interactive design strategies and the integration of new media into publications and marketing plans. This class is conducted in a collaborative and workshop environment, with students producing interactive projects. Prerequisites: PBRL 2920 OR ADVT 2550; AND INTM 3100 OR COAP 2000.

INTM 3870 Online Publications (3)

Students learn the strategies and skills of creating content and writing for electronic magazines published on the World Wide Web. The class is conducted in a collaborative and workshop environment, with the practical application of skills through the production of Print2Reel, the electronic magazine of the School of Communications. Prerequisite: VIDE 1810 OR INTM 3100 ORequivalent skills with permission of the instructor. Can be repeated for credit.

INTM 4200 Advanced 3-D Animation (3)

Students learn more advanced 3-D animation interactive skills, including the principles of character animation, texture mapping, and particle animation. In addition, students learn the scripting language of LightWave 3-D to achieve greater control of realistic interactive media pieces. Prerequisite: INTM 3560 OR permission of the instructor.

INTM 4620 Senior Overview (3-6)

This course provides an opportunity for seniors to demonstrate their proficiency in a selected area of interactive media production. The student assumes responsibility for the production of a project under the direction of a faculty member. The projects can be collaborative and must demonstrate creative strategies using multimedia and interactive elements. Prerequisites: senior standing, acceptance of the petition to proceed with senior overview, AND permission of the instructor.

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Photography Course Listings

PHOT 1000 Photo I (3)

Students learn the basic black-and-white photographic skills and the technical aspects of camera operation, light-meter readings, film development, and enlarging, as well as shooting techniques and composition. The course focuses on the visual and communicative aspects of the medium. Access to a 35-mm or 2 1/4 square camera recommended, although not required. Prerequisites: MEDC 1010 AND EPMD 1000 or permission of the photography program facilitator.

PHOT 2000 Photo II (3)

Continues development of photographic vision and techniques from PHOT 1000. Students study additional films and black-and-white processes, including the zone system. Prerequisite: PHOT 1000 OR equivalent course in basic photography.

PHOT 2040 History of Photography (3)

Traces the evolution of photography throughout the nineteenth and twentieth centuries and the development of various photographic traditions associated with its application.

PHOT 2170 Photographic Science (3)

Examines the relationships between films, papers, and chemistry used in the photographic process. Focuses on the ways in which films, chemistries, and papers react to different temperatures, exposures, and light. Consideration is given to the manufacturing process. Prerequisite: PHOT 1000.

PHOT 2500 Photojournalism (3)

Students combine practical assignments in newspaper and magazine photography with critical analysis of how photographs produce outstanding news and feature stories. Prerequisite: PHOT 2000 OR permission of the instructor.

PHOT 2870 International Photojournalism (3)

Students use digital cameras to photograph life on their campus and transmit the images back to the home campus in St. Louis for use in university publications such as the Journal. Class discussions and critiques use an Internet conferencing system. Previous photographic or computer experience is desirable, but not a prerequisite. (It is advisable to take PHOT 3190 Digital Photographic Imaging prior to or concurrently with this course.) May be repeated for credit. Offered only at the international campuses. Prerequisite: permission of instructor.

PHOT 3000 Color Photography (3)

Students continue the investigation of photography at an intermediate level, introducing various color processes and exploring the role of color in photographic imagery. Prerequisites: PHOT 2000 AND PHOT 2170.

PHOT 3120 Studio Photography and Lighting (3)

Students learn techniques of medium format and 4 x 5 view camera photography and lighting and how to use studio lighting systems to produce commercial work. Prerequisites: PHOT 2000 AND

PHOT 2170.

PHOT 3180 Macrophotography (3)

Students learn a variety of photographic techniques employed in scientific disciplines. Use of special filters, films, and cameras is discussed. Close-up and macrophotography are thoroughly covered. Prerequisites: PHOT 2000 AND PHOT 2170.

PHOT 3190 Digital Photographic Imaging (3)

Students learn the theoretical and practical aspects of photographic digital imaging. Students develop a theoretical understanding of this technology and learn to apply these principles using Adobe Photoshop. Students learn to control, modify, and manipulate digital photographic images for both corrective and creative purposes. Prerequisite: PHOT 2000 (section for photography majors) AND COAP 2020 (section for nonmajors).

PHOT 3195 Digital Photo Imaging II (3)

Students learn intermediate and advanced concepts and methods of working with photographic imagery in creative, efficient, and innovative ways via Adobe Photoshop. Additional peripheral software and hardware are discussed as well. Mastery of these methods, tools, and topics is expressed in successful completion of interactive tutorials and personal projects. Prerequisite: PHOT 3190.

PHOT 3760 Photo Reportage (3)

Students learn the magazine photojournalism and to produce photo stories. Prerequisites: PHOT 2000 OR PHOT 2500 AND PHOT 3190.

PHOT 4000 Photo Workshop (3)

Specific topics are offered on a rotating basis. Recent offerings have included large format photography, flash, infrared, and image/text. Prerequisite may vary with topic. May be repeated for credit if content differs.

PHOT 4010 Photography Gallery Management (3)

Students learn all aspects of running a photo gallery, including publicity, mailing lists, web site and other publications and openings.   Prerequisite:   JR/SR standing and permission of instructor.   May be once repeated for credit, if content differs.

PHOT 4030 Topics in Studio Photography (3)

This course focuses on various topics in advanced studio photography, such as people and portrait, and the Digital Studio, on a rotating basis. Prerequisite: PHOT 3120. Additional prerequisites may vary with topic. May be repeated for credit if content differs.

PHOT 4190 Topics in Digital Imaging (3)

Specific topics in electronic imaging are offered on a rotating basis. May be repeated for credit if topic differs. Prerequisite: PHOT 3190.

PHOT 4200 Topics in Color (3)

Focuses on various topics in advanced color photography such as Polaroid Image Transfer, and Polaroid Emulsion Transfer. Prerequisite: PHOT 3000. May be repeated for credit if content differs.

PHOT 4610 Readings in Photography (3)

Prerequisites: media major, junior/senior standing and permission of the instructor. May be repeated for credit if content differs.

PHOT 4620 Senior Overview (3-6)

Provides an opportunity for seniors to demonstrate their proficiency in a selected area of photography. The student assumes responsibility for the production of a project under the direction of a faculty member. Projects may include an exhibit or a thesis. Prerequisites: senior standing, acceptance into the major through portfolio review, and permission of the instructor.

PHOT 4700 Professional Development in Photography (3)

Students learn how to prepare for careers in the field of photography. Topics include portfolio development and presentation; professional organizations; interviewing skills; and resume preparation. Prerequisites: photography major AND senior standing.

PHOT 4870 Advanced Photojournalism (4)

Students learn practical application of photojournalism principles by serving as members of the campus newspaper The Journal staff. This course is an extension of PHOT 2500. Students apply their knowledge of photojournalism, including strategies and techniques employed in a variety of assignments. Prerequisites: PHOT 2500 AND PHOT 3190. May be repeated for credit. Note: It is advisable to take JOUR 1030 Fundamentals of Reporting prior to or concurrently with PHOT 4870. It is advisable for students who plan to work in this field to take VIDE 1810 Video I prior to graduation.  

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Video Production Course Listings

VIDE 1810 Video Production I (3)

Using digital video cameras and non-linear editing tools, students will learn the technological, aesthetic, and theoretical basics of creating motion media. The course offers a broad overview of how and why to use video equipment creatively and evocatively to complete several different types of project, based upon real-world applications of the medium.

VIDE 2520 Video Production II (3)

Students build on the technical knowledge from Video Production I focusing on both single-camera and multi-camera production. In this course, students learn specific production skills, concentrating on the finished product, with the opportunity to develop portfolio samples. Prerequisites: PHOT 1000 AND VIDE 1810.

VIDE 3060 Advanced Video Production (3)

Provides students an opportunity to extend production skills using single-camera technique. The primary emphasis is the completed production. Prerequisites: MEDC 1500 AND VIDE 2520.

VIDE 3090 Television Studio Production (3)

Provides students with a working knowledge of all facets of television studio production, including duties and responsibilities involved in each phase of setting up and operating the equipment. Gives students experience in the Webster studio in a professional production. Prerequisite: VIDE 2520. May be repeated for credit.

VIDE 3150 Topics (3)

Offered periodically to feature topics in media and journalism not covered by regularly offered courses. May be repeated for credit, if content differs. Prerequisite may vary with topic.

VIDE 3890 Video Post-Production (3)

This course focuses on the procedures, strategies, and techniques employed in a video post-production studio. The class assumes a "systems approach" so that students learn the technical flow of the post-production studio. Areas of study include video-computer interface, editing, and audio for video. Prerequisite: VIDE 2520.

VIDE 4251 Documentary Video Production (3)

Students learn the format, history, and production of the documentary. Students screen a variety of international works produced by the directors most responsible for shaping the development of this genre. Each student is responsible for producing a short documentary using single-camera techniques and online editing. Prerequisite: VIDE 2520.

VIDE 4252 Corporate Video (3)

Students learn the major considerations involved in the planning and implementation of corporation video production, including: identification of business objectives, preproduction, budgeting, working with clients, scripting, production, and post-production. Students develop proposals that actually could be funded and then see the project through to completion. Prerequisite: VIDE 3060.

VIDE 4253 Experimental Video (3)

Students learn the potential of television as a fine art medium. Videotapes are screened and discussed in class, and students are trained in advanced techniques to enable them to produce individual works to be screened in a group show at the end of the semester. Prerequisite: VIDE 2520.

VIDE 4254 Music Video Production (3)

Students learn the history, aesthetics, and production of music videos. Topics include: music video as a genre, preproduction, location and studio shooting, and post-production. For the final project, students produce a music video for a lo-cal/regional music act. Prerequisite: VIDE 3060.

VIDE 4255 Television Advertising Production (3)

Students learn the many elements of commercial production of television commercials and public service announcements - the message, script, soundtrack, visual image, and the tag line, and examine the concerns that shape those elements. Through class projects, students participate in the various stages of commercial production, from concept through completion. Prerequisites: VIDE 3060 AND MNGT 3510.

VIDE 4570 Producing for Television (3)

Students learn the role of the producer in television, from original concept to the marketplace. Topics include treatments, budgeting, research and development, funding options, production teams, the stages of production, and distribution. As a final project, students develop and submit program proposals. Prerequisite: VIDE 3060.

VIDE 4610 Readings in Video Production (3)

Prerequisites: media major,junior/senior standing AND permission of the instructor. May be repeated for credit if content differs.

VIDE 4620 Senior Overview (3-6)

Seniors demonstrate their proficiency in a selected area of video. The student assumes responsibility for the production of a project under the direction of a faculty member. Projects may include a documentary, narrative, or experimental video work. Prerequisites: senior standing, acceptance into the major through portfolio review, AND permission of the instructor.

VIDE 4700 Professional Development in Video Production (3)

Students prepare for careers in the field of video production. Topics include portfolio development and presentation; joining professional organizations; interviewing skills; and résumé preparation. Prerequisites: video production major and senior standing.

VIDE 4890 Video Engineering (3)

Students apply video production theories to producing for video by serving as a video engineers using strategies and techniques employed in a variety of settings. Prerequisite: VIDE 2520. May be repeated for credit.

VIDE 4900 Pro-Seminar in Video Production (2-4)

A professional video faculty member acts as an executive producer and/or producer/director, while students work as a crew to produce a video project that embodies professional standards and production values.

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