Department Chair & Visiting Assistant Professor - Ballet, Jazz, Performance Techniques
- Loretto-Hilton Center
- Webster Groves Main Campus, St. Louis, MO (WEBG)
Maggi Dueker is a Visiting Professor and the Interim Chair of the Department of Dance at Webster University. She founded and is the Director of Webster's Summer Dance Intensives. her choreography has been performed by the Webster University Dance Ensemble, Convergence and for the American College Dance Festival, Dancing in the Streets and National Dance Day among others. Maggi is an MFA Candidate in Dance at the University of Wisconsin-Milwaukee and received her BFA in Dance from Webster (Summa cum laude). She performed professionally with Giordano Dance Chicago II, Royal Caribbean International, the MUNY and as a freelance performer with Melissa Thodos and Dancers and Chicago Arts Project. She has previously taught at Northwestern University, Giordano Dance Center and currently teaches for the Big Muddy Dance Company. For her work at Webster, Maggi has been nominated for the Kemper Excellence in Teaching Award.
Adjunct Faculty, Acrobatics
Adjunct Faculty, Introduction to Global Dance, Improvisation, Dance History, Composition
Betsy Brandt is an interdisciplinary dance educator, dramaturg, writer, maker, and mover. She currently holds a faculty appointment at Webster University, teaching courses in history, theory, composition, and technique. A pioneer of the emergent role of dramaturgy in contemporary dance, recent dramaturgical projects include Sara Hook and Elizabeth Johnson's Erstwhiles and Somnambulations(2017), Kate Corby's Harbor (2016), Sara Hook and Paul Matteson's Bored House Guests (2014), and Jennifer Monson's Bessie-nominated Live Dancing Archive (2013). In 2012, Brandt collaborated with Doris Duke Performing Arts Award recipient Tere O'Connor to develop a dance-film installation of the choreographer's work for the Center for Curatorial Studies at Bard College.
Brandt's dramaturgical work is shaped by her history as a choreographer and performer, having danced in works by diverse artists including Victoria Marks, Lisa Race, Kim Epifano, Jennifer Monson, and Bebe Miller. In 2017/18, Brandt was one of five dance writers from across the country to be invited to participate in the pilot Dance Writing Laboratory sponsored by the National Center for Choreography at NCCAkron. Brandt's scholarship has also been presented at a Special Topics conference of the Congress on Research in Dance, the Congress of Illinois's Beyond Utopia conference, and as part of the Lorado Taft Lectureship series.
Brandt was the Co-Artistic Director of the aTrek Dance Collective from 2003-2009, served as the president of the Board of Directors for Leverage Dance Theater from 2013-2018, and is a current member of the Artist Advisory Board for The Luminary, an interdisciplinary arts incubator. She also worked in arts administration and program development with the Contemporary Art Museum St. Louis and Young Audiences of St. Louis. Her research and choreographic works have been supported by the Lorado Taft Lectureship Fund (2015), UIUC's Creative and Performing Arts Fellowship (2009-2012), the Mary Elizabeth Hamstrom Award (2010), the Patricia Knowles Graduate Travel Award (2011), and the Moe Family Award (2012).
She earned her MFA in dance, with a research emphasis in cinema studies, from University of Illinois: Urbana-Champaign, where she was also a teaching assistant and an adjunct faculty member. She received her BA in dance and political history from Kenyon College.
Adjunct Faculty, Somatics
Jan Feager Cosby
Adjunct Faculty, Tap
Jan has taught tap at Webster University since 1990. Formerly on faculty at Washington University in St. Louis and the Ballet Conservatory of St. Louis, she also teaches at DaySpring School of the Arts. In 1988 she founded and was artistic director for Tapsichore, a contemporary rhythm tap company that toured regionally and collaborated with dancers Acia Gray, Suzanne Grace, musicians Kim Portnoy, Ken Palmer, Paul deMarinis and composer Bob Chamberlin among others. She was one of eleven tap artists chosen from an international pool to work with the late tap master Charles “Honi” Coles at the Colorado Dance Festival's first Tap Creative Residency.
Since then she has performed and taught tap improvisation and technique for the Chicago Human Rhythm Project, the St. Louis Tap Festival, St. Louis Dance Festival, the Missouri Arts Council's Missouri Touring Program and the Arts and Education Council of Greater St. Louis. Jan served as a Regional Representative for the International Tap Association for several seasons and sat on the Steering Committee for that organization during its early years.
Prior to founding Tapsichore, Jan toured nationally as performer and teacher with the award-winning Metro Theater Company. Her work with MTC included performances at the Kennedy Center, the Detroit Institute of the Arts and at Powell Hall with the Saint Louis Symphony Orchestra. Also an early musician and recorderist, Jan was a guest member of the Ganzfeld Quartet and a long-time member of the St. Louis Early Music Band. She currently teaches recorder at Lighthouse Co-op where she has also taught Music Appreciation and Creative Movement. Her poem Nobody Knew You was published in 2009 by Paraclete Press.
Jennifer Welch Cudnik
Adjunct Faculty, Ballet
A native of St. Louis and an educator for twenty years, Jennifer holds a Master of Fine Arts in Dance from Hollins University. She is a faculty member and rehearsal director at COCA as well as the director and co-founder of the nonprofit, Ballet Initiative. Jennifer is an ABT Certified Teacher who has taught ballet at Washington University, Saint Louis Ballet School, Grand Center Arts Academy as well as at Montana Ballet, Yellowstone Ballet, Hollins University, and the Open Doors Dance Festival. Jennifer is a commissioned choreographer and a career consultant for aspiring professional ballet dancers. She is a grant recipient of Career Transition for Dancers as well as a fellowship recipient of Hollins University.
At age 15, Jennifer moved to New York City to study on full scholarship at the School of American Ballet. While at the School, she performed in ballets by George Balanchine and August Bournonville, and originated roles in works by Christopher Wheeldon and Damian Woetzel. Upon graduation, Jennifer became a professional ballerina for a decade as a member of the Pennsylvania Ballet and as a principal with Saint Louis Ballet. She performed leading roles in George Balanchine's Serenade, Allegro Brillante, Valse Fantaisie, Divertimento No. 15, and Who Cares?, in works by Dennis Nahat, Francis Patrelle, Gen Horiuchi and in The Nutcracker, the title role in Giselle, and as Aurora in the Sleeping Beauty. Jennifer has been a guest artist with Stamford City Ballet, Montana Ballet and the Saint Louis Symphony Orchestra.
Adjunct Faculty, Jazz & Ballet
Gary Hubler joined the Webster faculty in 1973 and served as the artistic director for Webster Dance Theatre. He has performed in New York, Los Angeles, Chicago, and at The Muny in St. Louis. He has trained with many well-known teachers including Leon Danielian, Edna McRae, Matt Mattox, and Luigi. He continues to work as a guest artist, teacher, and choreographer throughout the Midwest.
After 33 years of teaching, Gary Hubler retired from Webster University in May of 2006. In honor of Gary Hubler's retirement after 33 years at Webster University, the 2006 Spring Concert featured many alumni who returned from across the country to take part in a celebration of Gary's career. Alumni danced side-by-side with current members of Webster University Dance Ensemble in reprised pieces of Hubler's from as far back as 1987. The title of the concert, From Swan Lake To Swan Song, referenced the fact that Hubler's first professional performance was in Swan Lake on the stage of Kiel Opera House.
Adjunct Faculty, Jazz and Ballet
Ellen has had a versatile career in dance since graduating with her BA from Webster University. She has danced in modern companies in Chicago and St. Louis. She has performed around the world aboard Royal Viking and Royal Cruise Lines. Ellen is a proud member of Actors' Equity and has performed in musical theatre venues regionally in the United States including the Goodman in Chicago and Stages St. Louis.
Ellen has choreographed a variety of musicals, plays and/or dance pieces in the St.
Louis area for professional venues including Stages St. Louis, Shakespeare Festival
St. Louis, The Repertory Theatre of St. Louis, New Jewish Theatre, Echo Theatre, and
The Temporary Theatre Company. She has also choreographed musicals for both Webster
University and St. Louis University.
She is on faculty at several St. Louis area schools including Visitation Academy, the Stages' Performing Arts Academy and On Your Toes Dance Studio.
Ellen is privileged to teach students of all ages and abilities. At Webster, she currently teaches beginning ballet and intermediate ballet and jazz which she finds particularly rewarding. Building a strong foundation in ballet and jazz is important to the success of a dancer and developing the keen mind-body connection of a dancer is beneficial to all students.
Dawn is a prolific choreographer whose thought provoking, athletic, and emotionally candid dances have been commissioned and presented by universities, modern dance companies and theatre companies both regionally and nationally. Ms. Karlovsky is the founder and artistic director of Karlovsky & Company Dance, a contemporary modern dance company dedicated to exploring and nurturing the art of dance with innovative choreography that celebrates the human experience. Dawn's recent work focuses on developing dance for the camera. Her video, Closer, created in collaboration with New York-based choreographer, Megan Nicely, was presented at the American College Dance Festival – ScreenDance Festival in March 2011.
Dawn's choreography has been commissioned and presented by Webster University, Washington University in St. Louis, University of Missouri–St. Louis (UMSL), University of Minnesota–Duluth, University of Utah, American College Dance Festival (ACDFA), Dance St. Louis, Tsinghua University (Beijing, China), Christopher Watson Dance Co. (Minneapolis), Ressl Dance!, Shakespeare Festival of St. Louis, That Uppity Theater, and others. Dawn Karlovsky came to St. Louis in 1998 after dancing and touring with companies in San Francisco, Louisville, and Chicago including Afterimages Repertory Dance, California Contemporary Dance, and GASH/VOIGT Dance Theatre here in St. Louis, and in addition, performing with many independent artists including contact improvisation works with Andrew Harwood, David Marchant, Liz Claire, and Angela Culbertson, project collaborations with Mary Ann Rund, and performing Isadora Duncan repertoire under the direction of Dr. Alice Bloch.
Locally, her choreography has been presented in festivals including Spring to Dance, St. Lou Fringe Festival, Dancing in the Street, St. Louis Dance Festival, and Contemporary Moves hosted by Dance St. Louis. Full evening concert programs by Karlovsky & Company Dance are presented annually. Karlovsky holds a Master of Fine Arts degree from the University of Utah and a Bachelor of Arts degree with honors from Northern Illinois University. Dawn Karlovsky is a faculty member of the Performing Arts Department at Washington University and the Department of Dance at Webster University in St. Louis, dance faculty at COCA, and a certified teacher of the Alexander Technique.
Adjunct Faculty, Aerial Dance
Beckah Reed (Voigt)
Professor of Dance, Artistic Director, Composition and Theory
At Webster University, Beckah served as the Program Head and Department Chair from 2006–2013 and has been teaching dance at Webster since 1986. Her focus has been modern technique, composition, dance history, improvisation, pedagogy, and somatics. Beckah served as co-artistic director for Wishbone Dance Theatre, a company with homes in two Missouri cities and as co-artistic director for GASH/VOIGT Dance Theatre (GVDT), an all women's contemporary dance theatre ensemble based in St. Louis.
Beckah (Voigt) created full evening length works collaborating with Susan Gash and a variety of nationally and internationally renowned composers, visual artists, writers, and videographers. The company toured throughout the world to countries such as Turkey, Greece, Hungary, Russia, Taiwan, Costa Rica, China, and Germany. GVDT spent fifteen years self-producing their work, conducting educational residencies and international cultural exchanges. The company received support from numerous private individuals, foundations, corporations, and government agencies such as the US Department of State.
Beckah later founded ANNONYArts, a St. Louis-based performing arts company dedicated to supporting a consortium of independent movement and performing artists, and served as Artistic Director from 2003-2013. Beckah has been very involved with the American College Dance Festival, serving on the Board of Directors for two terms. In addition, she served on various boards of arts organizations and on panels for arts funding agencies such as the Missouri Arts Council and the Regional Arts Commission. Beckah's choreography, best described as theatre dance, draws on the use of props, voice, and the motivation of human interactions to create her pieces.
Beckah enjoys her work in somatics, including qigong and taiji, focusing on healing energies and moving meditations.
Adjunct Faculty, Costume Design and Contstruction, Stagecraft
Coordinator of Dance Injury Prevention, Dance
Dr. Bill specializes in the treatment of Dancers, Musicians and Actors and maintains an on-site clinic for Webster students, treating acute and chronic injuries using a variety of physical medicine techniques and Pilates based exercise programs. He received his Doctor of Chiropractic degree from Logan University, holds a Diplomate of the American Chiropractic Board of Sports Physicians in sports medicine, and has studied acupuncture extensively in China and the United States. He is an active member of the International Association of Dance Medicine and Science and Performing Arts Medicine Association, and has published numerous articles and lectured nationally and internationally on Dance Medicine.
In addition to his performing arts medicine practice he is an Internationally known artist, exhibiting works in Greece, Turkey and the United Kingdom. In St. Louis his work can be seen at ARTICA and the Contemporary Museum and as sets for ANNONYArts. Dr Russell graduated from Pittsburgh University with a BFA and MA and Washington University with a MFA in Multimedia. He has danced with Sara Shelton Mann and Off Track Dancers and studies African Dance via Katherine Dunham Technique and Black Dance USA.
Adjunct Faculty, Director of Music, Fundamentals of Musicianship
Alan Schilling is the Music Director for the Department of Dance at Webster University, St. Louis, Missouri, where he accompanies dance classes, master classes for visiting guest artists and composes music for various dance concerts. He has accompanied master classes for the Amy Marshall Dance Company, Giordano Jazz Dance Chicago, Martha Graham Dance Company, Pilobolus Dance Theater, River North Chicago Dance Company, Bill Evans, Ting-Ting Chang, and Carolina Marquez.
As a free-lance musician, he has performed as a percussionist in orchestras for Mikhail Baryshnikov, Houston Ballet, Joffrey Ballet and Rudolf Nureyev Ballet Companies, the St. Louis Symphony, Opera Theatre of St. Louis, Muny Opera of St. Louis, the Fox Theater and Timber Lake Playhouse orchestras. Schilling recently completed a month-long Turkish drum technique retreat in the Catskill Mountains, where he studied and performed with Raquy Danziger, Glen Velez and other visiting Middle Eastern Artists.
You can hear him on numerous recordings covering a variety of styles ranging from French cabaret to American folk and jazz, and classical recordings with the St. Louis Symphony (including “Ogoun Badagris” for percussion Ensemble - Nonesuch Records. Schilling began his career as a tap dancer at age four.
In his free time he enjoys bike riding, learning new drum techniques and spending time with his family.
Adjunct Professor, Jazz
Adjunct Faculty, Hip Hop
Ashley L. Tate is the founder, artistic director, and lead choreographer of Ashleyliane Dance Company (ADC), a full service dance organization based in the Greater St. Louis area. Ashley has studied dance for over 30 years. She earned her Bachelor of Science degree in Computer Information Science from Texas Christian University, where she served two consecutive years as captain during her four-year stint as a member of the TCU Showgirls Dance Team. She has been an instructor for National Dance Alliance, a cast member in a Sony Dreamworks motion picture, and a bodily-kinesthetic intelligence presenter for St. Louis Area Resources for Community and Human Services (ARCHS).
Ms. Tate has choreographed for NCAA basketball and football halftime shows, studio recitals, theatre productions, professional dance organizations, and national and regional dance competitions. She teaches master classes and workshops in contemporary, hip hop, jazz, lyrical, and specialty classes in turns, leaps, and cardio hip hop. She was a member of the Saint Louis Rams Football Cheerleaders, serving as a captain for two years. She also served as the head cheer and dance coach at Southern Illinois University Edwardsville and as an adjudicator for Cathy Roe Ultimate Dance Competitions. Ms. Tate is now a board member for Missouri Dance Organization, and a member of the National Dance Education Organization, and an adjudicator for Fury Dance Competitions. She is also a recently certified Zumba® instructor.
Ms. Tate is an adjunct instructor of dance at Washington University in St. Louis and the former chair of the dance department at Grand Center Arts Academy. She was invited to a private audition for Cirque du Soleil's Michael Jackson: The Immortal World Tour and is a recipient of Grand Center's Emerging Artist Visionary Award. She has served as a judge for the Fox Performing Arts Charitable Foundation's Teen Talent Showcase for several years. She is also a winner of the Pulse On Tour Dance Convention Protégé Scholarship, a Monsters of Hip Hop Scholarship (and a former Monsters Show Nominee), and is signed as a dancer and dance educator with Clear Talent Group in Los Angeles, California. Her work has chosen to be featured in choreographer's showcases at the Peridance Capezio Center, TADA! Theater, and Baruch Performing Arts Center, all in New York City, as well as the Choreographer's Carnival in Chicago, Illinois and Versatility Dance Festival in Boulder, Colorado.
Ms. Tate is a 2018 recipient of the Spencer T & Ann W. Olin Fellowship for Women in Graduate Study. She is a graduate student in the Performing Arts Department at Washington University in St. Louis, pursuing a Master of Fine Arts degree in Dance.
Visiting Lecturer, Dance
Michael is an internationally renowned artistic director, choreographer, teacher and dancer, assumed the newly titled post of artistic and executive director of Dance St. Louis on July 1, 2006. Uthoff was born in Santiago, Chile, to former dancers, Ernst Uthoff and Lola Botka, both of the Jooss Ballet and founders of the Chilean National Ballet. He started dancing after high school and a year later arrived in New York to attend the Julliard School of Music, School of American Ballet, and Martha Graham School of Contemporary Dance. He danced with the José Limón Company and was a principal dancer with the Joffrey Ballet.
In 1972, Uthoff established the Hartford Ballet in Hartford, Connecticut. For the next 20 years, as artistic director, he developed the company into a national institution that toured throughout 49 states. He commissioned works by both new and established choreographers, and created more than 100 ballets for the company himself. In 1992, Uthoff accepted the position of artistic director of Ballet Arizona, a post he held until 1999. From the time that Uthoff created his first dance for the Joffrey Ballet in 1967, his ballets have entered the repertory of companies all over the world. His large-scale works include The Nutcracker, Coppelia, Hansel and Gretel, Alice in Wonderland, Awakening, Dias de Muertos, and Romeo and Juliet.
He has directed opera and choreographed for opera companies internationally, and has served on the Board of Dance/USA and panels of the National Endowment for the Arts. Uthoff's recent career as guest teacher, choreographer, and artistic advisor includes entities such as the government of Chile, the Shanghai Ballet of China, the California Ballet of San Diego, Portland Opera Performing Institute, Andanza Dance Company of Puerto Rico, the Ballet Estable of the Teatro Colon in Buenos Aires, Argentina, where he held the post of artistic director, and his own Michael Uthoff Dance Theatre, which premiered in 2003.
His teaching continues at the university level in the dance departments at University of Missouri–St. Louis and Webster University. He has been awarded a Laureates Degree from the Harford College For Women; an Honorary Doctorate of Fine Arts from the University of Missouri–St. Louis and was recognized by the Arts and Education council for the Excellence in the Arts Award 2013.
Uthoff recently completed a recreation for MADCO in St. Louis and a new work for Dancing Wheels in Cleveland, Ohio to music of Alice Cooper. He also choreographed for New World School of the Arts in Miami, Florida, for the final performance under retiring Dean Daniel Lewis in Spring 2011. Among other recent dance works are Galleria, premiered in February 2007 by Boston Conservatory, and Honorable Sky, which he created in August 2007 for 30 X 30, the 30th anniversary celebration of BalletMet Columbus.
Department Assistant, Dance